Day 2 of #CleanMovieMonth: “The Private Lives of Elizabeth and Essex” from 1939

My Post (2)

Today is the second day of #CleanMovieMonth.  Here at PEPS, we have dedicated July to celebrating the sealed cinema of the Breen era. In honor of this celebration, I am writing about a different Code film every day of the month. Yesterday, I began the festivities with an article about a light-hearted modern musical from Universal Pictures, Three Smart Girls from 1936. That Code film taught us about good youthful role-models and the importance of films glorying the family.

Image result for the private lives of elizabeth and essex (1939)

Today, I am turning my attention to a film which was made three years later by Warner Bros, The Private Lives of Elizabeth and Essex. Unlike yesterday’s selection, today’s film is an intense historical drama with Bette Davis, Errol Flynn, and Olivia de Havilland. With direction by Michael Curtiz and production by Hal B. Wallis, this movie was a dramatic Technicolor extravaganza which evidently spared no expense in lavish historical costumes, sets, and intensity.

Olivia 2018 Banner 2

During this month-long celebration, I am using my daily posting as an excuse to participate in a lot of excellent blogathons hosted by my fellow classic film-lovers. Today, I am using this article to participate in the Third Annual Olivia de Havilland Blogathon, hosted by Crystal Kalyana of In the Good Old Days of Classic Hollywood and Phyllis of Phyllis Loves Classic Movies. In honor of Dame Olivia de Havilland’s 102 birthday, which she is remarkably still alive to celebrate, I am writing about The Private Lives of Elizabeth and Essex, a movie in which she has a small but important supporting role.


Robert Devereux, the Earl of Essex, has just returned from an expedition to Cadiz. He is a young, handsome, and popular general who is beloved by the English people. In particular, he is deeply loved by Lady Penelope, a beautiful young noblewoman of the court who is jealous because of his favor with and attentions for the queen. However, Queen Elizabeth is currently very angry with him because he did not acquire the treasure from Spain which he promised to secure. She feels that he acted for his own glory instead of the good of England. The sixty-year-old queen is powerful, bitter, and very sensitive about the fact that youth and beauty are no longer hers. There is intense friction between her and Essex which springs from the deep love between them. However, their moments of affection and tenderness are quickly followed by ones of anger and hatred. Elizabeth fears that Essex doesn’t return her deep love for him, wondering if so young a man could love a woman as old as she. She both adores and mistrusts him, since she is afraid that he only pretends to love her to gain power and favor. Meanwhile, despite his love for her, Essex disagrees with many of Elizabeth’s policies on ruling, since he himself has very strong ideas about the future of England. Can their love overcome the years between them and the crown which divides them, or are they doomed to be separated forever? Watch the movie to find out!


Queen Elizabeth is played by Bette Davis. Robert Devereux, the Earl of Essex, is played by Errol Flynn. Lady Penelope is played by Olivia de Havilland. Francis Bacon is played by Donald Crisp. The Earl of Tyrone is played by Alan Hale. Sir Walter Raleigh is played by Vincent Price. Lord Burghley is played by Henry Stephenson.

Additional Information

I really appreciated the historical information and accuracy in this movie. I don’t mean that liberties weren’t taken with some of the details of the actual lives of Queen Elizabeth and the Earl of Essex. Rather, I mean that the time and feeling were properly captured. The costumes, the sets, and the dialogue were all very accurate. They really brought me to the 16th century, as I think every historical film should. I was particularly impressed by Bette Davis’s portrayal of Queen Elizabeth. I have read a lot about the Virgin Queen, and I feel that Miss Davis truly brought her to life. Her startlingly white complexion, bright red wig, pearl-bedecked attire, and regal ruffs were beautifully accompanied by her magnificent acting to create a portrait of the queen which was thoroughly convincing. Every other member of the cast wore equally historical and fitting clothing. In an hour and forty-five minutes, this movie brings the relationship of Queen Elizabeth I and the Earl of Essex more to life than many history books could do in twenty chapters. A few facts were changed to romanticize the story, but the spirit is the same.


When I decided to watch this movie for the Olivia de Havilland blogathon, I had my doubts about its Code-compliance due to its many similarities to The Adventures of Robin Hood from 1938, which I find to be an appallingly unCodish film. In addition to some subtle implications in the characterization of Prince John and incorrect depiction of the clergy, The Adventures of Robin Hood is very distasteful to me because of the frequent and graphic violence in it. The excessive blood, prolonged battle scenes, and countless arrows shot into bodies repel me from this movie. My favorite thing about that film is Olivia de Havilland, since she looks absolutely gorgeous in her wide array of medieval costumes. She is lovely in her regal splendor, and I think she gives a marvelous performance. However, I don’t enjoy watching that movie because of the unnecessary violence. It is one of those unfortunate Code films which was obviously poorly self-regulated by a PCA member aside from Joseph Breen. Because of that, it is a “non-Code film;” it received a seal of approval without good breening.

The Private Lives of Elizabeth and Essex and The Adventures of Robin Hood have many shared artists in front of and behind the camera. Errol Flynn, Olivia de Havilland, and Alan Hale act in both. Michael Curtiz directed both films, Hal B. Wallis produced them, and Jack L. Warner was the executive producer. Both were in Technicolor with elaborate historical settings. The Warner Bros. logos at the beginning of these movies look similarly antique. However, the similarities end there.

Code-wise, The Private Lives of Elizabeth and Essex is excellent. I consider it to be a perfect Code film. The battle sequences are very brief, with violence at the minimum. A few men fall in battle, some with arrows in them, but it isn’t distasteful or graphic. Unlike in The Adventures of Robin Hood, I didn’t want to turn away. In addition, I was very impressed by the way the romantic relationship between Elizabeth and Essex was handled. It was quite passionate at times, yet it was always decent. There was kissing and some very romantic passages, but there were never implications of anything immoral. I feel that that was also very important historically, since Queen Elizabeth was famous for being the Virgin Queen, although that was not mentioned in this film.

This movie shows a completely different side of the Code than Three Smart Girls. A lot of people think of light-hearted musicals and youthful pictures when they think about Code films, but the Code also allowed for gripping, realistic drama. This movie is much more dramatic and entertaining than The Adventures of Robin Hood to me, yet it is twice as Code-compliant. In my opinion, that is why it is more entertaining. Anyone can enjoy the wonderful story line and intense acting in this movie, since there is nothing which is objectionable. How often can modern films for general audiences boast such gripping and realistic historical drama?

For the Blogathon

Olivia de Havilland in The Private Lives of Elizabeth and Essex (1939)

Olivia de Havilland is very beautiful in this movie. She wears three different light blue gowns in the course of the film, and the period attire is very becoming. She gives a very convincing and emotional performance as the jealous young woman who longs for the unrequited love of Essex, the queen’s favorite. She is both sweet and cruel as she reminds the aging queen of her lost beauty. Although her role is brief, it is powerful and memorable. In the last scene, she gives a stirring performance with tears pouring down her face as she pleads with the cold queen. It’s a scene which I won’t forget soon.

Thank you to Crystal and Phyllis for hosting this blogathon and allowing me to participate. Happy Birthday, Olivia! May you have many more and continue to reign as one of the last queens of the Golden Era of Hollywood!

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10 thoughts on “Day 2 of #CleanMovieMonth: “The Private Lives of Elizabeth and Essex” from 1939

  1. I love The Adventures of Robin Hood, because that is what started my obsession with the Robin Hood, but I really love that movie because of Flynn and de Havilland’s chemistry. I never really thought about the violence, but my little sister doesn’t like it.
    I want to see this movie because of Errol and Olivia, plus it is in code! Two bonuses. The costumes also look amazing.

    Liked by 1 person

    • I know that you really like “The Adventures of Robin Hood.” There are parts of it I like, too, such as Olivia de Havilland’s beautiful costumes. If you like that, I know you’ll like “The Private Lives of Elizabeth and Essex.” Miss de Havilland and Mr. Flynn don’t interact as much as they do in some of their other movies, but all the chemistry is wonderful in this one.

      Yours Hopefully,

      Tiffany Brannan


  2. Pingback: Day 7 of #CleanMovieMonth: “New Moon” from 1940 | pure entertainment preservation society

  3. My only problem with this movie is that it doesn’t have enough of Olivia!!! I think Flynn is at his handsomest here. Have you seen “The Virgin Queen” also with Davis!! It was also very good. I discovered my library has a book on Elizabeth and Essex which I plan to check out soon!

    Thanks for joining this celebration of Olivia!

    (I wish I could join your clean month – since I basically only watch code movies anyway – but I’m already committed to the Natalie Wood Blogathon and am also going out of town and, knowing myself, I highly doubt I’ll get anything else written this month. I hope you have a good turnout though!)

    Liked by 1 person

    • Dear Patricia,

      At first, I didn’t understand what you thought was funny about Francis Bacon. However, I just noticed the capitalization. Now that you mention that, that is very amusing.

      Thank you for commenting on my article. I appreciate it.

      By the way, I would like to invite you to join an event I am hosting on my website, #CleanMovieMonth: Starting on July 1st, it’s a month long celebration of Code films and clean entertainment. All you have to do is watch movies from the greater Breen Era exclusively. Then, in the beginning of August, you can write an article about your thoughts on the experiment. It shouldn’t be hard for you, since I know how much you love old movies. Even if you think you’ll be too busy to write any articles for this event, I would be very grateful if you would read my announcement and consider reposting it on your website. You always write very good articles, and I could really use the publicity.
      I hope you’ll be able to participate.

      Yours Hopefully,

      Tiffany Brannan


  4. Pingback: Day 3 of #CleanMovieMonth: “The Cowboy and the Lady” from 1938 | pure entertainment preservation society

  5. Pingback: THE THIRD ANNUAL OLIVIA DE HAVILLAND BLOGATHON IS HERE – In The Good Old Days Of Classic Hollywood.

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