James Cagney and Doris Day, The Perfect Couple That Never Got Together

James Cagney and Doris Day were a great team. There was a special magic when they worked together. Perhaps it was because they were very good friends. She had a lot of respect for his talent and experience, saying that he was the most professional actor with whom she ever worked, and he respected her, too. Some people have compared his relationship with her to his relationship with Joan Blondell, his best friend and frequent costar in the 1930s. However, unlike Joan Blondell, Doris Day made only two pictures with James Cagney. For the Duo Double Feature Blogathon, I am going to explore the brilliant, untapped possibilities of Cagney and Day, the perfect film couple that never got together.

Image result for The West Point Story 1950Mr. Cagney’s first picture with Miss Day was The West Point Story, a Warner Bros. musical    from 1950. It had been two years since she had started with the Warners, andJimmy, Doris, and Virginia it had been twenty since he had, but they were great together. There were plenty of opportunities for them to sing, dance, act, and display their fiery chemistry. However, in this movie, they are just friends; he is her former manager, who ends up with Virginia Mayo while she ends up with Gordon MacRae. I have always found this romantic conclusion to be a little disappointing, since I think Jimmy and Doris fit together better than he and Virginia do. Despite her pairing with him in two movies, there is something about Virginia Mayo’s personality that does not fit with James Cagney’s to me. She said that his brilliantly insane acting in White Heat scared her a little, and that indicates that they were not very close off screen. Doris Day understood that he was just a good actor.

Image result for Love Me Or Leave Me 1955Their second and, unfortunately, last picture together was Love Me Or Leave Me, the 1955 Love Me Or Leave Me 3film which tells the story of Ruth Etting’s life. Strangely, even though both the leading actors were Warner Bros. actors around this time, MGM made this picture. I find it ironic that MGM made a gangster film with James Cagney and Doris Day, but the filmmakers originally were considering actors from their own studio. Many praise this role as Doris Day’s finest acting job; if they mean that she summoned her greatest acting powers to play the nastiest role she possibly could, I agree. She succeeded in being totally unlike her usual, sweet self. James Cagney’s acting, as usual, is brilliant in this picture. He fought to get Doris Day this role, and he was right in his belief that she could handle the uncharacteristically dramatic and hard role. I don’t like this role for her because I don’t like to see her playing such a hard character, but I have to admire her excellent acting. This movie really isn’t Ruth Etting’s story, and its not a very accurate portrayal of the 1920s and 30s. On the other hand, if I look at it as just any gangster film and forget that it is supposed to be based on a true story from the 20s and 30s, I have to admire the acting in it and the strength of the “sympathy angle.” The pre-Code feeling of disliking a gangster’s woman but pitying the gangster himself is at full force here. Doris Day’s and James Cagney’s characters are technically a couple, since they are married for a good portion of the movie. However, from any viewpoint, the leads are hardly loving sweethearts. His feelings toward her begin as gangsterish lechery but chance to true, deep, possessive love. Her feelings begin as suspicion and change to gratitude and a degree of fondness, but they turn to complete contempt after their marriage.

There are a couple of scenes during the early part of Ruth’s success, before they are married, where one can see a little bit of the fondness which really characterized their relationship. If you would like to read about my ideas for a historically accurate film about Ruth Etting which could have been made, be sure to come back during the Breenathon, October 13-15, to read about my proposed movie, Mean to Me.

Whether or not they were romantic, affectionate, or even friendly in a picture, James Cagney and Doris Day acted really well together. They had a natural chemistry which added something to scenes of friendship, romance, anger, or any other situation. The fact that she was twenty-three years his junior doesn’t make any difference. He didn’t look like he was over fifty in their two movies. His slighter stature, indefatigable personality, high voice, delicate Irish features, and inexhaustible energy made him seem much younger than he really was throughout his entire career. Doris Day’s perky, cheerful exuberance fit very well with his lively, leprechaunish charm. Plus, they both had great musical talents. He was famous for dancing, and she was famous for singing, but she could also tap dance well, and he knew how to sell a song. Also, he could play the piano to accompany her singing. They seem like a perfect couple. Here are some pictures of them together:

There were many artists who would have been great together but were denied the opportunity of being frequent costars because they belonged to different studios or because they were popular at different times. Was this the case with James Cagney and Doris Day? No! Doris Day made her film debut at Warner Bros. in 1948, and James Cagney, who worked for Warner Bros. on and off throughout his career, returned to Warner Bros. in 1949 after a period on his own, since his company, Cagney Productions, ran out of money. Thus, Cagney Productions became a unit of Warner Bros. studios, and Mr. Cagney acted for the studio again. For the next six years, Miss Day and Mr. Cagney continued to work for Warner Bros. Doris made fourteen musicals, but Jimmy was only in one of them. They did both make a brief appearance in Starlift, a wartime musical from 1951, but only as unfortunately short cameos. Why were they not in more Warner Bros. musicals together? Well, in 1931, the Warner brothers decided that James Cagney was a tough guy gangster actor. Because of this stereotype, he only appeared in three Warner Bros. musicals in as many decades. Jack Warner made most of the decisions for the studio, and he was a stubborn, impulsive man who never rethought his decisions. However, he himself stated that his decisions were right only 51% of the time. The briefness of the Warner Bros. pairing of Cagney and Day is obviously part of the 49% when he was wrong.

The possible scenarios for movies with James Cagney and Doris Day are extremely numerous, but I will list some of which I have thought. Obviously, they would be great as a musical team under many circumstances, whether they played spouses, sweethearts, or just friends, at least in the beginning. Imagine the following possibilities.

  1.  They are a song and dance team which is trying to get work in night clubs and little theatres, but they lose every job because the club owners are always interested in the beautiful young lady, who is engaged to her musical partner.
  2. They are a similar team which can’t keep a job because he always gets into fights over everything and nothing.
  3. They are a married flimflam team that travels around the country with her singing and him selling a phony health tonic; eventually, his crookedness may jeopardize their marriage.
  4. He is a former vaudeville star who is trying to become a hit on Broadway with her as his pretty partner; little does he know that she is only doing it because she loves him.
  5. He is her dancing teacher; he has plans of making her a star, but she just takes lessons to see him every day.
  6. He is a tough Broadway producer who thinks he can make her a star in his next hit, but she needs a lot of molding and is the stubbornest protege he has ever had.
  7. They are a team in the 1920s that gets a lot of work in speakeasies because he is a gangster; unlike Love Me Or Leave Me, this would be a light-hearted comedy.
  8. He is a Broadway has-been who is working in a friend’s production, and she is a newcomer who admires his former glory and falls in love with him, despite his current failure.
  9. He is a movie star whose career has been declining since his beloved wife and movie partner died; maybe a pretty young actress can help him find a new way to be successful in pictures and in love.
  10. He is a wealthy gangster who has decided to quit the racquet and become a famous Broadway star with the leading lady in his speakeasy; his fighting and bribery get them to the top, but they also make everyone in the industry his enemy, including his partner!


I hope you enjoyed reading my hypotheses for movies which could have featured James Cagney and Doris Day. I certainly enjoyed writing this article. The Duo Double Feature Blogathon, which was hosted by The Flapper Dame and Phyllis Loves Classic Movies, is a

The Great Breening Blogathon Ideaswonderful idea which has generated a lot of creative thought. By the way, one good blogathon deserves another, and all these interesting ideas about movies which could have been made in the Golden Era would make great articles for The Great Breening Blogathon, which I am hosting. If anyone would like to write a Breenathon article based on one of the ideas I mentioned, I would not accuse him of plagiarism. I would be thrilled to have some bloggers write about their own classic movie ideas! Thank you again to my gracious hostesses for allowing me to participate. It was grand! Although we can never actually see the movies which might have been, it is great fun to imagine how marvelous they would have been!


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13 thoughts on “James Cagney and Doris Day, The Perfect Couple That Never Got Together

  1. Love all the movie ideas you came up! I would definitely watch them 🙂 I agree that Mayo doesn’t seem a good match for Cagney. I haven’t seen White Heat or these two movies though. I’ve read a lot about Love Me or Leave Me and it doesn’t sound like a movie I really want to watch. I’d much rather watch your comedy remake! One day I’ll watch their other film though. Still haven’t seen Cagney in a musical!

    Thanks so much for bringing this duo to the blogathon!

    P.S. Unfortunately I won’t be able to participate in your blogathon. I will definitely check back to read some of the posts though!

    Liked by 1 person

    • Dear Phyl,

      I am so glad that you liked my article. You really must see James Cagney in a musical. “Footlight Parade” and “Something to Sing About” are the two musicals he made in the 1930s. “Yankee Doodle Dandy” from 1942 shows his talents more than any other picture; I think that it is wonderful that he received his only Academy Award for that picture instead of a gangster film, since he considered himself a song and dance man. I am so glad that you are going to read some of the contributions to my blogathon, even though you are too busy to participate. It will be wonderful to have you!

      Yours Hopefully,

      Tiffany Brannan


  2. Great post! I LOVED your fanciful casting of Day and Cagney in all those scenarios–they could have indeed been the Powell and Loy of the 50s…Love Me or Leave me is without a doubt Doris Day’s finest performance, and it was working with the intense Cagney that brought out her very best as a performer. I watch this one over and over, I so prefer her dramatic roles to the silly bedroom comedies she is most remembered for.

    Liked by 1 person

  3. I agree that these two make an intriguing couple. I wish that they had made an all-out musical together where they had a few romantic duets. You have some really interesting ideas about plots they could have done! Great post.

    Liked by 1 person

    • Dear Michaela,

      Thank you very much for the compliment! It really is enjoyable to imagine how great they could have been together.

      I don’t remember ever interacting with you before. Do you have a website? By the way, I would like to invite you to join my blogathon, “The Great Breening Blogathon:” https://pureentertainmentpreservationsociety.wordpress.com/2017/09/07/extra-the-great-breening-blogathon/. It is celebrating the life and work of Joseph Breen, the enforcer of the Motion Picture Production Code between 1934 and 1954. As we honor his birthday, which is on October 14, we will be discussing and analyzing the Code era, breening films from other eras, and writing about our own ideas for classic movies. One doesn’t have to agree with the Code and Mr. Breen to enjoy that! I hope you will do me the honor of joining. We could really use your talent!

      Yours Hopefully,

      Tiffany Brannan


  4. Thank you for writing and choosing this blogathon! I believe it when Doris said Jimmy was one kf her favorite leading men~ she just has such admiration for Love me or leave me- and its evident in both her tcm segment and when she was present at Cagney’s AFI award night! Such great friends- that endured too! I love it! Im gonna have to check out love me or leave me!!

    Liked by 1 person

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