For the first time ever, I am participating in Pure Entertainment Preservation Society’s Clean Movie Month! Every July, participants are encouraged to watch and write about films that were released within the Breen Code era. This era started in 1934 and ended in 1954. On 18 Cinema Lane, I will be reviewing a Breen Code era film every week during this month! These reviews will be released in the chronological order of the film’s premiere. For my first Clean Movie Month review, I have chosen the Shirley Temple film, Stowaway! Earlier this year, I wrote an editorial about my thoughts on all three of Shirley’s films from 1938. As I said in that editorial, my goal is to watch every single Shirley Temple film ever made. So, if I have a chance to watch a Shirley Temple movie that I haven’t seen before, I will definitely make an effort to do that. So, let’s sail away in Clean Movie Month with 1936’s Stowaway!
Things I liked about the film:
- The acting: One of the great things about this movie was Shirley’s performance! Like I said about Shirley’s role, Betsy, in Little Miss Broadway, her role in Stowaway felt like it was created just for her. Not only did this role compliment Shirley’s acting abilities, but it challenged her as an actress. At certain moments in the film, Shirley’s character, Barbara/Ching-Ching speaks Chinese. This means that Shirley had to learn her lines in English and learn a new language that she was probably not familiar with before. Shirley was surrounded by a cast of actors and actresses that were just as talented as her! Everyone’s acting talents were equally showcased in this film, helping each performer receive their moment to shine!
- The humor: A pleasant aspect of Stowaway was the humor within the story! One of the funniest scenes in this film was when Ching-Ching is trying to find Tommy Randall while wearing a dragon head. What made moments like this so hilarious was the screen-writing. The way that the dialogue and actions were written was not only innocent, but clever as well. An example of this is when Tommy and Ching-Ching are at a restaurant. While ordering food off of a menu that’s written in Chinese, Tommy tells Ching-Ching, “It’s all Greek to me”. She then replies, “But it’s in Chinese”. This type of humor is what made Stowaway an enjoyable story!
- A unique location: I am not an expert on Shirley Temple’s filmography. But, out of the films that I’m aware of, it seems like most of her movies take place in the United States. Stowaway, however, mostly takes place in China and on a cruise ship. These locations provided a unique look and feel to the overall production. It was interesting to see the Chinese culture playing an influential role within the narrative. The language, music, and even some proverbs could be found in Stowaway. Seeing the various areas of the cruise ship was interesting as well. This backdrop worked really well for the story!
What I didn’t like about the film:
- A limited amount of musical numbers: Earlier this year, when I talked about Just Around the Corner, I said that there was a limited amount of musical numbers in the movie. This made the story feel drawn out and a little bit longer than intended. Similarly, there was a limited amount of musical numbers in Stowaway. Throughout the whole film, there were four musical numbers. However, the first musical number doesn’t appear in the film until after the first thirty-seven minutes. Personally, I think that the first musical number should have, at least, started at the fifteen-minute mark. That way, the audience could get quickly invested into the musical aspect of the movie.
- No Chinese influences in the music: I liked how the Chinese locations, as well as the culture, were incorporated into the film! But I was surprised that there were no Chinese influences in Stowaway’s music. Every song that Shirley sang sounded like the typical musical melody, the usual sounds that are found in Shirley’s films. Even though Shirley spoke Chinese in the movie, none of the lyrics were in Chinese. I feel that the creative team behind Stowaway missed a special opportunity to expand the musical horizons of both the studio and the audience. Who knows? Maybe this could have encouraged someone to learn another language.
- Shirley’s limited involvement in the film: Most of Shirley’s films involve a subplot that allows Shirley’s character to play an important role in the film. While Ching-Ching was a significant character in Stowaway, she didn’t play as big of a role as Shirley’s other characters. It felt like most of the story was about the characters who were adults. In fact, it seemed like Shirley had the least amount of screen-time out of all the performers in the starring cast. While it’s understandable that Shirley was the youngest cast member in this film, it kind of felt like Stowawaywasn’t Shirley’s movie compared to her other titles.
My overall impression:
For my first Clean Movie Month review, we’re off to a decent start! Stowaway, in my opinion, is better than something like Just Around the Corner. But there are films in Shirley’s filmography that I think are stronger than Stowaway. The most memorable part of this film was the Chinese locations as well as the cruise ship backdrop. They were very unique for a film starring Shirley Temple, especially since most of her films take place in the same continent. The setting of Stowaway provided an interesting component to the story, influencing how the characters interacted with each other and how they accomplished their goals. I can’t say much about the content of the film, since it was approved by the Production Code Administration (as the logo was featured in the bottom left hand corner of the opening credits) and it was released two years after the start of the Breen Code era. It’ll be fascinating to see how this movie compares with the other movies I’ll review during Clean Move Month!
Overall score: 7.2 out of 10
What are your thoughts on Clean Movie Month? Are you looking forward to my next review? Please tell me in the comment section!
Have fun at the movies!
As a special high-point of our month-long celebration in July, we are hosting a blogathon on the first weekend in July in honor of the formation of the PCA and the twenty wonderful years of decent cinema which followed during Joseph Breen’s tenure. It will be called The Favorite Code Film Blogathon. On July 5-7, participants will choose their single favorite Code films and write about why these movies from the era of film decency were so good. Please join!
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